'The Last Lifeboat' (Saturday 23rd)
Karl-Marx-Straße 58, 12043 Berlin, Germany
FIRST PUBLIC SHOWING:
Choreographic work in progress. “Last Life Boat”Choreography and Concept : Marguerite DonlonDancer: Claudia Ortiz ArraizaMusic composition: Dirk HaubrichThis is the story of my Grand Aunt Katherine Gilnagh who at the age of 16 survived the Titanic. She was the last passenger on the last life boat. This work in progress will show an excerpt of a dance solo we are working on using an interview from my Grand Aunt when she was 60, explaining what it was like…. she explains that at first she had no idea what was happening until the life boat was some distance away, it was then she heard explosions as the ships boilers hit the water and she started to see more and more bodies in the water.
The internationally acclaimed composer Dirk Haubrich has created an electronic music score to accompany an interview Katherine gave at the age of 60, recalling the night in question.
BIO:Marguerite Donlon is an innovative, contemporary choreographer and performer based in Berlin. Known for her humour and profound creativity, her work thrills an unusually broad audience. With stylistic innovation, Irish wit and the combination of different art forms, Marguerite Donlon has pushed artistic limits to secure a place in the international dance scene.A native of County Longford, Ireland, Donlon’s childhood was marked by traditional Irish dance, which she found a little too rigid so began to add arms to make it move more. At the age of 14 she was introduced to ballet by life time teacher and friend Anica Dawson, this was when she realised how much more to dance there was. When she was 16 she finally begin her professional ballet training in England. After a short time she landed her first engagement was with the English National Ballet in1988. In 1990, she was invited as a soloist to the Deutsche Oper Berlin where she worked with dance legends such as Natalia Makarova, Rudolf Nureyev and Sir Kenneth MacMillan. Donlon, however, found her place working with and dancing the repertoire of the most influential contemporary choreographers, including William Forsythe, Maurice Béjart, Meg Stuart, Bill T. Jones and Jiří Kylián.From 2001–2013, Marguerite Donlon was the ballet director and main choreographer at the Saarländisches Staatstheater (Saarland State Theater). The company, also known as the Donlon Dance Company, impressed audiences with its own unique style and quickly became a respected and sought-after ensemble invited to perform throughout Europe, the USA and Asia. Donlon is also the initiator and artistic director of the International Dance Festival “N.O.W. Dance Saar”, launched in 2006.In 2009, Marguerite Donlon founded “iMove”, a highly motived and successful youth dance company comprising of 24 young people from various cultural and ethnic backgrounds with little or no dance background. This ongoing project has proven what dance can do to bring these diverse groups together in harmony.Donlon created a variety of dance works in the past 12 years showing her versatility yet loyalty to true self expression. For this she has been critically acclaimed worldwide. Part of that variety has been the refreshing re-interpretations of ballet classics.The Yearbook “Dance” paid several tributes to her and the company over the years announcing them as “Best Company of the Year”, “Best Production”, “Best Dancer”, or “Most important work for the arts”. “Giselle-Reloaded” was nominated for the “Prix Benois de la Danse” with its mixture of contemporary dance and Irish traditional dance which has become a strong motif in her work. “Romeo und Julia” was nominated for the German Theatre Prize “Die Faust”.Marguerite Donlon has created choreographies for dance companies worldwide. Her work has been performed most recently by prima ballerina Svetlana Zacharova and the Bolshoi Ballet. She has also created for companies such as the Nederlands Dans Theater 2 (NDT), the Stuttgart Ballet, Berlin Ballet, Hubbard Street Dance Company in Chicago, Rambert Dance in London, the Companhia Nacional de Bailado (CNB) Portugal, Staatstheater am Gärtnerplatz Munich, Musiktheater im Revier (MiR) Gelsenkirchen and The One Grand Show, Friedrichstadt-Palast Berlin.Donlon sees dance as a social connector and a tool to communicate on various levels. In 2012, she launched a large scale environmental awareness project about the growing problem of plastic in our oceans. After meeting environmentalist David De Rothschild and brainstorming together, she created a dance piece called “Blue”. She also created an interactive sculpture which involved 8.000 children collecting plastic bottle tops to fill the sculpture. This sculpture “Plastic Ocean” was subsequently invited to Frankfurt to open the “Eco Arts Festival” and later was invited to tour Greece to help promote awareness to the problem. As a result, Donlon was invited to the world summit for water pollution in Berlin to talk about how dance can reach so many people through a positive approach and how this can influence scientific and political endeavors.Before leaving Saarbruecken and her company after 12 years, Marguerite Donlon created the “ZeichenTanz” or “Sign Dance“. This project enabled hard of hearing audience members to better enjoy dance performances through the signing of music. She is currently working to introduce “ZeichenTanz” to other companies and theaters in Germany. Donlon is a pioneer at heart and her tool to reach out and communicate is through the performing arts. She is open minded and enjoys pushing boundaries together with teams of passionate people.In addition to her artistic activities, Marguerite Donlon was awarded Medal of Merit by the Minister President of Saarland for her outstanding artistic work for the Saarland. In 2017, she received the Co Longford Civic Reception in honour of her distinguished career as a ballet director and her acclaimed achievements in the world of dance. She is a member of the Global Irish Network and in 2009, Donlon was invited to be a member of the Presidium of the Federal German ballet and dance theatre directors conference (BBTK) and was invited as an honorary member in 2013. In 2014, she became an accredited PCT and RD1st Business Coach and Leadership Mentor and combines her creative work and coaching skills in the world of business to enhance creative thinking and team building.
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